Interview with Jay Gilligan
Here is interview with Jay Gilligan by Juggle Jabber. It's 100 minutes long, but if you're interested, it's a gold mine.

 

Haavard Hvidsten... - 11 july 2017
...just released a new short film!
Do your self a favour and watch it!

Modify king - 23 june 2017
Ameron released yet another video, this time with modified objects
Check it out!

Ameron does it once again - 12 june 2017

Some genius juggling for you! 
No.1 - No.2 - No3


I just go schooled! - 15 maj 2017

Juggling by Jay Gilligan
Magnet clubs by Ameron Rosvall


Relationships - 1 maj 2017

Every now and then someones asks me, when you know a trick or a certain number. Next time that happens I’ll answer, “when do you know a person?” It’s not black and white. But if it where, I’d say a thousand catches. At a thousand I feel comfortable and relaxed in that number. I’m not comfortable with six rings yet, but it’s getting closer. I’ve gotten 850 catches at best. My five rings are easy and chill, I know five rings. There my best is 1250 catches. 


Identification - 15 april 2017

When I first started to collaborate with a photographer I did my best trick and thought it would look fantastic in the sunset we were shooting in. It didn’t. It rather looked like shit and even though I couldn’t comprehend it at the time, the composition of the picture as a whole, looked like shit. Since then I’ve created some juggling only for photo and I have to say, it has influenced the other juggling I do. I’ve also started to take photos myself, mostly of my juggling and I’ve started to understand three things:
• How to compose a picture
• What technical challenges a photographer has
• What juggling look good in a photo vs in real time.

I don’t think I can ever make a as good looking photograph as a photographer can, since I’m not a photographer. I am a juggler, but if I go through some practice about photography and juggling, as well as learning a bit about the techniques behind photography, I can then come back to the photographer with more understanding and together we can make a much better photograph. My favorite photographer to work with is Einar Kling Odencrants and since he started his circus career as a juggler his 5 ball cascade is quite solid. This means he has a deeper understanding of juggling, which makes our photo shoots way smoother.

During the past years, I’ve gotten interested in films and how they are composed. A film is usually thirty pictures per seconds, which made me realize the importance of juggling in pictures, since there’s thirty of them in each second of film! For the past couple of months I’ve been educating myself by creating a few juggling films. I’ve also used youtube as a source for knowledge and then tried to translate it into juggling films. Now I can go to a film maker and have a slightly better understanding about their craft.


Ameron Rosvall

Ameron is a juggler who combines curious creativity without fear of failure! Here he hands us a few old clips in a created compilation à la Ameron.


Jay Gilligan - 30 march 2017

Yet another version of Jay Gilligans previous lectures on juggling (TEDx and GCHS Writers Week). Go see them if you haven’t before.

A lecture about his work in juggling (past and present) to give us a glimpse into the future. This version has better lighting, better filming, better articulated, better juggling, better sound, better music, better staging and better costume. It all makes the message more clear. Hearing Jay talk about juggling helps me finding my own language about juggling.

Here’s five reasons why I find Jays talks interesting:

Jay…
has worked with most juggling styles and technics.
thinks a lot about performing juggling.
has English as a first language.
works extremely hard to keep up with other art forms.
has been in the game for a very long time, actively.

The most important part for me is at 14:48, where Jay starts to talk about colors. His example of a painter using one color makes me realize how ridiculous our object manufacturing is. We’ve come a long way, but there’s an even longer way of what we can do with juggling. This realization makes me excited and motivated to push juggling forward to give future generations of jugglers more possibilities to express themselves.


Around - 15 february 2017

When I created Magnet Opus I believed it was perfect, but after doing over 200 shows with it, both short and long contracts, I’ve learned it isn’t. To write down all it´s flaws (and mine) are way to many for this place, but I’ll mention one thing and that is to not only have one set of your things (propstand, costume and props). Therefor I've bought four sets of Supra Camino and gonna have them modified into Around shoes. So far I only have one pair (plus one prototype that I don’t use anymore). Modification of all shoes for Around has been made by Carina Eneroth and I must say, she is amazing with shoes. Here you can see a short film I made for Skomakeri Framåt about the shoes function.


Gustaf Rosell - 1 february 2017

A video made by Gustaf Rosell, for free! Go watch it here and then let me break it down for you.

- All balls are in shot, at all time. Which mean I don’t have to guess what his juggling looks like, cause he shows me. That also makes me choose where to look, he doesn’t push it in my face.

- The juggling has a high tempo and is full of surprises. The cutting of the film is clearly done after Gustafs juggling style. Sometimes it takes us three or four times watching the film before we realize what pictures he’s showing us. That gives the film a certain depth. He doesn’t even start or end with a black out, just to throw us straight into it!

- The choice of location and art work as a background is phenomenal in relation to his costume. Just look at it! Mostly blue with a slash of red. Pink balls matches the pink parts of the painting perfectly. The location of a sunny Miami makes his tank top and shorts fit in great.

- The choice of music is a delicate one, where it doesn’t take over, but simply supports the juggling and to keep the background noise at just the right volume is so sweet.

All in all. A rare, golden juggling film that at least have me inspired to work harder and be more precise in my composition!


20.20 minutes - 1 december 2016

I liked Heptad when it came out, and still after four years, this is probably my favorite juggling video by Wes Peden. Here’s seven reasons why:

  1. Heptad has a all going through theme and is one piece of juggling film.

  2. Heptad has a sweet mix between technic and the expression of the technic.

  3. Heptad has very few unnecessary “object-is-out-of-shoot” moments.

  4. Heptad is filmed clean, juggled clean, space clean and lighted clean.

  5. Heptad is a summing up of where juggling currently is, in terms of style, technics, objects and numbers.

  6. Heptad contain signs of Wes being Wes. From unaware hands, to jumps and spins, from concentration face to juggling style.

  7. Heptad has a added talk-about-video so we can understand more about Wes choices.


Aesthetics - 15 of November 2016

This morning when I ate breakfast with my right hand and as usually it feels clumsy, I went back to my left hand to see if there was something concrete to learn how I hold my spoon. I then noticed I hold the spoon far out on the handle and aesthetics hit me. It looks beautiful in my eyes to hold far out on the spoon, with very little handle sticking out. It makes use of the whole spoon and it makes a longer extension of my hand, which also demands higher level of control.

After I created Magnet Opus I got more urge to do thing with aesthetics of my own liking and I didn’t like when I started the spin of the club on the pole half way down, since it didn’t make use of the whole pole. That aesthetics is something I’ve used when I started learning hand balance with rings. I want the ring to be balance on the tip on my fingers instead of half way in.


Your other side - 1 november 2016

From the early days of my life I used my left hand way more then my right hand. For the past 4-5 years I’ve been working on getting my right hand equally as confident and useful as my left hand. Finally, some things gets so solid with my right hand I no longer need to use the left hand, but rather go for what’s most practical in that moment. For example, If I have a spoon in my right hand, I can carry stuff or open doors with my left with out getting a bad conscious about it. Or if I’m turned with my left hand towards a thing I need to grab, I no longer need to turn around just to make the lift with my right hand. That’s some progress towards the main goal I’d say.